EXCLUSIVE: Maidaan’s makers BREAK silence over allegations of non-payment of dues to Syed Abdul Rahim’s family

EXCLUSIVE: Maidaan’s makers BREAK silence over allegations of non-payment of dues to Syed Abdul Rahim’s family

Two days back, there were reports that the family members of legendary football coach Syed Abdul Rahim were unhappy with the makers of Maidaan. The Ajay Devgn-starrer was based on the life of Rahim and some of his descendants claimed that the royalty, promised to them by the makers, was not given to them. The report stated that a police action might be initiated against Maidaan’s makers.

In response, the makers of Maidaan – Boney Kapoor’s Bayview Projects LLP – have released a statement denouncing the claims. The public statement is as follows:

“Recently, there have been several media reports alleging that the police have been directed to look into a claim purportedly from the family members of the late Mr Syed Abdul Raheem, that the producers of Maidaan owe the family members of Mr Raheem, certain monies (over) Mr. Raheem’s depiction in the film. We hereby clarify that we are not in receipt of any notice from police/state authority as alleged or at all. It is also important to place on record certain correct facts in the context of such false reporting.

The legal heirs of the late Mr. S.A. Raheem, who was a football coach of the Indian football team during 1952-1962, had filed an Original Suit No. 1271 of 2019 along with an Interim Application No. 602 of 2019, before the Hon’ble Civil Judge, Hyderabad in June 2019 seeking a judgement and decree for perpetual injunction on release, exploitation and production of the film Maidaan. It was alleged that no permission had been taken from them for the making of the film Maidaan. Bayview Projects LLP opposed the grant of injunction inter alia on the grounds that the information about late Mr Raheem, as the coach of the Indian football team, is available in the public domain and no permission was required under law to make a film on late Mr Raheem/Indian football. It was further argued that it is a well-settled law that the personality rights enjoyed by a person during his lifetime come to an end after his lifetime. The Hon’ble Court, after hearing the parties in detail, had by its order dated 30th of September 2019, refused to grant any injunction/restraining relief on the production, release and/or exploitation of the film Maidaan and the concerned Interim Application filed by the legal heirs was dismissed.

Though the producers were not obliged under law to obtain any permission/consent from the heirs of Mr Raheem, in good faith, resolved the matter amicably with the heirs on terms and conditions recorded in the consent terms dated January 29, 2020, filed in the Hon’ble City Civil Court, Hyderabad. Bayview Projects LLP is in due compliance with the consent terms and in fact, all the legal heirs have confirmed Bayview’s compliance with the consent terms and have rendered full support and appreciation towards the film. Additionally, the producers have also obtained life rights to Sqn. Ldr. Syed Shahid Hakim (son of Syed Abdul Rahim; now deceased) has paid consideration for the same during his lifetime, as per Mr. Hakim’s instructions to his wife Sadia Syeda and to his family members namely Mohammed Abdul Samad and Mohammed Shariq Daniyal Akhtar.

In this background, it is shocking to read reports regarding non-payment of royalties to the heirs of the late Mr Hakeem, much less when there’s no obligation to pay the same; this allegation is completely false. As stated earlier, Bayview Projects LLP is not in receipt of any notice from the police or any state authority as stated in the reports. If any claim/notice is received from the police or a state authority, Bayview will take such action as will be required under law to protect its rights as it will be legally advised. In the meantime, it is appealed to the press and public that due caution and responsibility be exercised in reporting such misinformation. The reported articles have caused and continue to cause grave injury and prejudice to the reputation of Bayview, the film and all stakeholders associated with the film and if such reporting shall continue the producers would be compelled to initiate appropriate action including defamation proceedings against the offenders.

Ameet Naik, advocate for Bayview Projects LLP and partner at Anand and Naik stated, “Bayview is in compliance with the consent terms dated January 29, 2020, filed before the Hon’ble Civil Court, Hyderabad and Secunderabad. There are no outstanding dues to any of the legal heirs of the late Mr. Raheem/Mr. Hakeem and no notice has been received by the police/state authority. If any claim or notice is received, the production house shall take all steps to deal with the same in accordance with law to protect and safeguard its rights and reputation”.

Bollywood Hungama has further learned that Dr Faisal Zardi, grandson of Syed Abdul Rahim and Sadia Hakim, wife of Rahim’s son have also condemned the report and the possibility of police action. They have further praised the makers for putting Rahim’s life on celluloid.

Also Read: Ajay Devgn starrer Maidaan bags Best Asian Film title at Septimius Awards; director Amit Sharma calls it “Source of immense pride”

John Abraham reacts to gruesome Kolkata rape case, strongly calls for men’s accountability: “Parents have to tell boys to behave”

John Abraham reacts to gruesome Kolkata rape case, strongly calls for men’s accountability: “Parents have to tell boys to behave”

John Abraham has shared his strong stance on the alarming issue of violence against women in India. Reacting to the gruesome case of a Kolkata doctor who was allegedly raped and murdered earlier this month, Abraham emphasized the need for greater accountability from men and a cultural shift in how women are treated.

Speaking on Radio City, Abraham expressed his frustration and anger towards the perpetrators of such heinous crimes. “I’ll tell the boys to behave, otherwise I’ll tear them apart,” he said, adding, “Honestly, I just expect better upbringing, on a serious note.”

The actor stressed that women should not be blamed for their own safety. “And I wouldn’t tell girls anything, because unki kya galti hai (what fault is it of theirs)? I think parents have to tell boys to behave. More power to the girls,” he added.

Abraham’s comments echoed similar sentiments he expressed in a previous podcast on The Ranveer Show. “As a patriot, I feel it’s necessary to point out the flaws with India,” he said. “Women, children and animals are not safe in India. It is sad. Indian men need to understand how to treat their women. They need to be protectors.”

The incident, which occurred at the RG Kar Medical College and Hospital, has sparked outrage and calls for justice. The initial mishandling of the case by local authorities has further fueled public anger. Subsequently, the Central Bureau of Investigation (CBI) took over the investigation, acknowledging the challenges posed by the altered crime scene.

On the work front, John Abraham’s film, Vedaa, which explores themes of violence against women, is a timely and relevant contribution to the ongoing conversation. The film released in cinemas on Independence Day 2024. He will next star in Tehran.
ALSO READ: John Abraham reveals Shah Rukh Khan gifted him a bike after Pathaan’s blockbuster success: “Main khush ho ke gaya ghar”

Why Karisma Kapoor abruptly walked out of Multiple Blockbusters in 1999? The REAL story behind Bollywood’s Biggest Shock!

Why Karisma Kapoor abruptly walked out of Multiple Blockbusters in 1999? The REAL story behind Bollywood’s Biggest Shock!

In the glamorous and often unpredictable world of Bollywood, stars backing out of films is not unheard of, but when a leading actress like Karisma Kapoor begins to withdraw from multiple projects in quick succession, it raises eyebrows. In 1999, Karisma Kapoor, one of Bollywood’s most sought-after actresses, shocked the industry by stepping away from several high-profile films, leaving fans and filmmakers alike speculating about her sudden change of heart.

The first major project from which Karisma made her exit was Sajid Nadiadwala’s Har Dil Jo Pyar Karega, a film that had already generated significant buzz. Her decision to walk out of this movie came as a surprise, especially since she had been a consistent performer at the box office, delivering hits that cemented her status as one of Bollywood’s top actresses. Just as the industry was recovering from the shock of her departure from Nadiadwala’s film, news broke that Karisma had also backed out of Deepak Shivdasani’s Yeh Raaste Hain Pyaar Ke. The role, which was initially meant for Karisma, was quickly recast, with Preity Zinta stepping in to fill the void.

The question on everyone’s mind was clear: What was happening with Karisma Kapoor? Her decision to return the signing amounts for these films—and reportedly a few others—added fuel to the fire of speculation. In an industry where signing amounts are often a firm commitment, Karisma’s actions suggested that something significant was influencing her choices.

At the time, there were many theories circulating in the industry and media. Some speculated that Karisma was being selective about her roles, perhaps wanting to distance herself from projects she felt were not aligned with her evolving career aspirations. Others wondered if personal reasons were behind her decisions, given that her family had always been a significant part of her life and career decisions.

Karisma’s move was particularly intriguing given her consistent track record of balancing commercial success with critically acclaimed performances. Her ability to juggle mainstream roles with more nuanced characters had earned her both mass appeal and critical respect. Therefore, her sudden withdrawal from multiple projects left many questioning whether this was a temporary phase or the beginning of a more significant shift in her career.

As the year unfolded, industry insiders and fans alike were left to wonder what Karisma’s next move would be. Was she planning to take a break, or was there a more strategic plan behind her decisions? While Karisma remained tight-lipped about her reasons, her actions were a clear signal that she was in control of her career trajectory, making choices that would likely shape the next phase of her journey in Bollywood.

As the industry watched closely, one thing was certain: whatever was cooking in Karisma Kapoor’s world, it was bound to have a lasting impact on Bollywood’s landscape. Her unexpected exits from these films added an air of mystery around her, leaving everyone eager to see what the future held for this talented and unpredictable star.

Also Read: Karisma Kapoor stuns in fluorescent green dress as ‘India’s Best Dancer – season 4’ mega auditions heat up

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